A gripping 686-page read about magical objects, horrific deeds, and motherhood.
The story follows Victoria McQueen, Vic, and her uncanny ability to find lost things. As a child, she rode her Raleigh Tuff Burner bike across a bridge that would take her where ever she needed to go. Charles Talent Manx uses his 1938 Rolls-Royce Wraith in a similar fashion, taking children on long rides out of this world and into his own one: “Christmasland.” When Vic is mad at her mother, she goes looking for trouble and finds it in the shape of Manx. Years later, Vic is now a mother herself and wants to think no more of Charles Manx or her magical bridge. Manx, on the other hand, has spent years thinking of Vic and when he decides to pick a new passenger to take to Christmasland the choice is easy: Vic’s son.
The lack of numbered chapters makes the book hard to put down, especially when some “chapters” are the beginning and end of a chapter. For example, “she went through a second inner door and into A Hallway. A hallway is on a separate page, bolded and acts as a chapter title but at the same time, it is the last word of the chapter before. This was ingenious, it meant I would continue to flip pages, as a majority ended on cliffhangers that could be explained in the next chapter’s title, and once you are there you might as well continue reading. This helped with an already excellent pace that the book set.
Apart from a horrific tale of child abduction, there are elements of fantasy sprinkled throughout such as a magical car that can take you to Christmasland, or a girl who can find lost things no matter where they are. The story is bewitching. When watching a film, I tend to see if there are parts that could have been cut out, where clearly there was a cool idea but no payoff in the plotline. When looking at the novel in the same lens I am pleasantly surprised that all major plot points feel necessary to tie it up neatly. Could some things have been left out, of course, but it wouldn’t have been as alluring because the little details build the world.

Gabriel Rodriguez, the illustrator, also worked with Hill on the Locke & Key graphic novel series. I think if a book is close to 700 pages long there should be something fun in it apart from a great story. Rodriguez’s art is refreshing and helps with world-building while acting as bookends the novel.
The first picture is from the pastedown endpaper and free endpaper, AKA the pages when you first open the book that is attached to the cover. This really drew me into the story (pun intended), there are a lot of different things that one could pick to be the first thing a potential reader sees and the Shorter Way Bridge is perfect. The second picture is a section beginning, the book is filled with these, that tell you the time period that the next section is focusing on. As the story takes place over a couple of decades, it is important to keep in mind when everything is happening.
I don’t think I’ve been so entranced by a fiction book lately. Now, this could be because I took a week-long break from Youtube, to focus on a project at work, and had to find other entertaining stuff to do on my lunch break, or N0S4A2 is just a solid read. Personally, I choose to believe the latter.